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Anticàmera 2017 è l’omonimo libro fotografico curato da Anticàmera, agenzia milanese di location scouting. Un voluminoso biglietto da visita in tiratura limitata, che rappresenta il numero zero di un ampio lavoro di ricerca fotografica intorno al concetto di luogo e che, a partire dal tema dello spazio, prende forma di anno in anno con un tema specifico.

Anticàmera 2017 è un libro che include un testo di Angelo Flaccavento e anche una mostra di fotografie che introducono il lavoro e l’immaginario del gruppo Anticàmera. Nel volume sono raccolti i luoghi che vengono selezionati, l’idea fotografica, l’approccio narrativo e l’estetica del lavoro di Anticàmera.


La selezione delle fotografie include alcuni scatti già realizzati per progetti curati o commissionati da Anticàmera e altri nuovi selezionati per questo libro, dove 29 fotografi alternano sguardi e ambienti, dettagli poetici e inediti: Kira Bunse, Gaia Cambiaggi, Dario Catellani, Tag Christof, Roberto Conte, Bea De Giacomo, Paolo Di Lucente, Andrea Ferrari, Alessandro Furchino Capria, Stefano Galuzzi, Stefan Giftthaler, Giulio Ghirardi, Martina Giammaria, Adrianna Glaviano, Estelle Hanania, Hill & Aubrey, Romain Laprade, Allegra Martin, Carlotta Manaigo, Piotr Niepsuj, Ilaria Orsini, Edoardo Pasero, Maciek Pozoga, Leonardo Scotti, Scandebergs, Federico Torra, Fabrizio Vatieri, Camille Vivier, Claudia Zalla.

 La presentazione del volume Anticàmera 2017 è accompagnata da una selezione di fotografie tratte dal volume esposte nella libreria Galleria Carla Sozzani. 

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Era quel genere di giornata da film noir a Milano. Il sole stava cercando di penetrare tra le nuvole che si muovevano veloci mentre noi cercavamo un lungo vicolo per lo studio di Kris. Ovviamente non c'era un numero civico - non c'era nemmeno il nome RUHS inciso nel metallo del grande portone industriale all'ingresso. Finalmente Kris uscì, si aggirava nei suoi abiti da lavoro come un personaggio dell'opera teatrale ‘Uomini e topi’ di John Steinbeck. Siamo entrati, e lui rispose con il suo modo dolce di parlare, mentre noi ci complimentavamo per i disegni e le sculture che riempivano lo spazio, "La luce è bella qui dentro." Il mio esposimetro segnava un’apertura di diaframma di appena f/ 2.8 ad 1/15. Mi venne in mente quando avevo fotografato Balthus nel suo studio in Svizzera, costruito direttamente nella terra. Lì, a malapena, sono riuscito a leggere il mio esposimetro. Era abbastanza tardi quando arrivammo al club di boxe, ma non me ne accorsi nemmeno perché ero già occupato a fotografare i combattenti sul ring, che si tiravano feroci pugni l'uno l'altro, imprecando in italiano; come diceva Kris in modo rassicurante, "Non ti preoccupare, amerai la luce.” Bruce Weber Nel 2003 Bruce ha visitato lo studio di Kris, nuovamente quindi nel 2011 e nel 2014, ha scattato una serie di fotografie. Una collaborazione tra artisti. Questa mostra è la memoria di quei giorni e di questa amicizia.

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Gio Ponti" ["subtitle"]=> string(0) "" ["meta_title"]=> string(0) "" ["content"]=> string(1444) "

a cura di DOMUS

Walter Mariotti, Direzione Editoriale, Simona Bordone, Progetti Speciali, Cristina Moro, Archivio

In occasione dei 90 anni di Domus, la Fondazione Sozzani presenta a Milano la mostra Domus 90. Gio Ponti, in concomitanza con Miart e Salone del Mobile 2018. 

Gio Ponti, oltre che fondatore e direttore di Domus per più di quarant’anni, è stato un architetto e designer poliedrico. È vastissima la letteratura sul suo lavoro; rimane sempre interessante rivedere le proposizioni sulla casa che ha formulato nel tempo e lo straordinario impegno sui complementi d’arredo. Ha disegnato piatti, vasi, mobili, sedie, ma anche tessuti, cartoline e copertine e ha riflettuto sulle potenzialità espressive dei materiali, dalla carta al vetro fino alla pelle degli edifici, pensata con la stessa attitudine.

Questa mostra vuole mettere in evidenza il rapporto tra le molte abilità di Gio Ponti a partire dai materiali dell’Archivio Domus. Un racconto che traccia la visione di un personaggio che resta nell’immaginario per la sua straordinaria capacità progettuale.

Sabato 14 aprile 2018

Anteprima stampa, dalle ore 15.00 alle ore 18.00

Inaugurazione, dalle ore 18.00 alle ore 20.00

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"" ["id_menu"]=> string(1) "1" ["menu_name"]=> string(4) "main" ["date"]=> string(19) "2018-01-15 07:27:24" ["type"]=> NULL ["type_flag"]=> NULL ["lang"]=> string(2) "it" ["url"]=> string(15) "wave-after-wave" ["title"]=> string(15) "Wave After Wave" ["subtitle"]=> string(0) "" ["meta_title"]=> string(0) "" ["content"]=> string(676) "

Noto come uno tra gli artisti più singolari d’Europa, Kris Ruhs è proteiforme nella sua creatività e quasi impossibile da definire nel processo creativo. Utilizza un’ampia varietà di tecniche e con il suo lavoro genera progetti internazionali di grande respiro. Ceramiche forgiate nel fuoco, ferro e legno, rame, carta, spago, filo e oggetti di recupero, rifluiscono da uno studio apparentemente caotico con estrema precisione. "Wave After Wave" è un riconoscimento del tempo trascorso nell'esplorazione. La luce è la sua dimensione costante, ma la comprensione ci guida attraverso il labirinto in un viaggio intellettuale ed emotivo o, in definitiva, fisico.

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